Biophilic Design in Architecture

DOI : 10.17577/IJERTV6IS030153

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Biophilic Design in Architecture

Ankur Gautam

University School of Architecture and Planning, GGSIPU, Dwarka, Delhi, India

I go to Nature to be soothed and healed, and to have my senses put together. John Burroughs

Abstract *-Physical wellness, comfort and mental wellbeing are important factor in designing a built-form. We often neglect nature in process of design. Nature has no substitute. So, it is very important to consider while designing a building. Humans have evolved their behavioural mechanism & problem solving tactics responding to the stimulus from the surrounding spaces. Architecture, here, has an infinite power to dictate the character and stimuli generation of a space. This stimulus to be positively conceived and delivered physically, psychologically and intellectually to the surroundings, is the core of the Biophilic Hypothesis. This paper discusses the impact of biophilic design on human health and well-being and presents a unified framework for its application in the design of biophilic spaces.

Key words: Biophilia, climate, design, nature, well-being

  1. INTRODUCTION

    Originating from the ancient Greek (bios: life; philia: love), Biophilia describes the love for life and expresses the ethos of maintaining and developing the life of mankind in all

    dimensions (physical, psychological, social, artistic, moral, etc.). Aiming to provide space for respectful and enriching relationship between human society and natural world, Architects have an opportunity to include this hypothesis into their design process.

  2. BIOPHILIA IN ARCHITECTURE

    We all know that there is no substitute of nature. Nature should be integral part of design. Closeness to nature in built-environment has a positive impact on the user. The potential of nature and built-environment correlation has not been tapped to the best of its limits.

    Nature in built-environment can be incorporated in form of breeze, water features, gardens and aquarium. The strongest Nature in the Space experiences are achieved through the creation of meaningful, direct connections with these natural elements, particularly through diversity, movement and multi-sensory interactions. (Browning, W.D., Ryan, C.O., Clancy, J.O. (2014). 14 Patterns of Biophilic Design)

    Nature in the built-environment can be defined in patterns mentioned below:-

    Figure 1 Patterns of Biophilia.

    For example connection with nature in any form direct or indirect reduces the stress level. Giving importance to sounds related to nature like sound of water or bird chirping over urban sounds improves the experiential quality for the user. Nature can be incorporated in direct form or by metamorphic i.e biomimicry way. Which means design forms which are inspired by nature or using textured which are derived from nature. It will make the use feel near natural environment.

    Designing Biophilia Theories and Values, in form of a detailed framework is the need of the hour. The relationships incorporated within the structure of framework are based on themes, identified and studied within the literature.

    Different variables such as typology of the project, site variables, scale and feasibility, domain of applicability of concept, occupants culture and demographics, effectiveness and efficacy of patterns, identifiable responses and outcomes, diversity of strategies, duration of exposure and frequency of access are applied at their consequent design stages amalgamate to yield a specific result, unique for each project, best explaining the framework as an effective solution for:

    problem which occurs over and over again in an environment, and then describes the core path of solution in such a way, that you can use this solution a million times over, without doing it the same way twice

    The proposed framework sought to have an elaborate structuring of modified Biophilic patterns, strategies, as well as the qualitative aspects and variables influencing the relationship between domain of applicability and strategies for exposure to nature, with occupants health benefits. These in turn, affects the perspective for process of designing experiential spaces.

    Figure 2 Framework for Design: Inter-relation of the themes arranged in specific order to be followed.

  3. CASE STUDY

    To access the generality of the proposed patterns and variables affecting their applicability, quantifiable subheads have been tested on institution site , depicting the outcome of the designed spaces having Biophilic essence: Delhi Technical University, Bawana Road, Delhi

    The exposure to patterns are tested on criteria of site design, degree of exposure and frequency of access (Fig. 3) . The illustration depicts the duration of access of campus spaces in terms of Landscape, Interior and Built spaces and the exposure of patterns in a space. Students are exposed to the benefits of the present patterns for greater duration in open spaces in DTU.

    Built Landscape Interiors

    Figure 3 Duration of exposure:: Illustration depicting duration of exposure to a pattern in three different typologies of spaces:

    Figure 4 Site map of DTU showing areas analysed Figure 5 : Venturi effect in DTU

    P12

    REFUGE

    P1 P11 P18

    Spaces with weather & climate protec on, speech & visual privacy

    BUILDING LANDSCAPE

    P13

    MYSTERY

    P1 P16 P21

    Light & shadow : Meandering pathways; Visual disconnect; curving edges

    BUILDING LANDSCAPE

    P14

    RISK/ PERIL

    P1

    Architectural can levers;

    Experiences perceived to defy gravity

    BUILDING LANDSCAPE

    can levered or supported by minor supports

    P16

    CURIOUSITY & EXCITEMENT

    P1

    Vibrant colours; Views & vistas; Transi onal spaces; Complementary contrasts ; Elevated planes; Hierarchally organized ra os & scales

    BUILDING LANDSCAPE

    P17

    CHANGE & METAMORPHOSIS

    P1

    Seasonal varying landscapes ; Diurnal variability of solar pa erns

    BUILDING LANDSCAPE

    Mix planta ons of deciduous & evergreen trees

    P18

    SECURITY & PROTECTION

    P1 P12

    Spaces with weather & climate protec on; Drop or lowered ceiling.

    BUILDING LANDSCAPE

    P19

    ATTACHMENT

    —————

    Views & vistas ; informa on richness ; Central focal point

    BUILDING LANDSCAPE

    P20

    ATTRACTION & BEAUTY

    P1 P11 P4 P6

    Landscapes; Complementary contrasts ; Spa al harmony

    BUILDING LANDSCAPE

    P.NO

    PATTERNS

    INTER- RELATION

    PICTORIAL REPRESENTATION

    ATTRIBUTES PRESENT

    DOMAIN OF APPLICABILITY

    DESIGN CONSIDERATIONS

    P1

    VISUAL CONTACT

    P2

    Vegeta on; Animals; terrain; soil; moderately designed landscape

    LANDSCAPE BUILDING

    P2

    NON VISUAL CONTACT

    P3 P4

    Weather ; Natural Ven la on ( operable windows) ; herbs & owers

    LANDSCAPE

    Connec ons easily accessed from one or mul ple loca ons Through building openings facing open spaces

    P3

    NON- RHYTHMIC

    SENSORY STIMULI

    ————–

    Cloud movement; Breezes

    LANDSCAPE

    —————-

    P4

    THERMAL & AIRFLOW VARIABILITY

    P1 P2

    Solar heat gain ; Shade & shadow ; Radiant surface material ; vegeta on with seasonal densica on

    BUILDING LANDSCAPE

    Orienta on of built form to suitably shade the interiors as well as promote self-shading due to adjacent structures

    P6

    DYNAMIC & DIFFUSE LIGHT

    P1

    Daylight from mul ple angles; Direct sunlight ; Diurnal & Seasonal light

    BUILDING

    Strategic usage of skylights and translucent materials like bre- glass sheets, producing diused ligh ng to interac ve spaces

    P7

    CONNECTIONS WITH NATURAL SYSTEMS

    P1 P2 P6

    Simulated dayligh ng systems;

    Hedges & owering vegeta on

    BUILDING LANDSCAPE

    ———————

    P10

    COMPLEXITY & ORDER

    P1 P16

    Exposed structure ; Façade material; Floor plan ; Building skyline

    BUILDING LANDSCAPE

    Structure revealing fractal geometry

    P11

    PROSPECT

    P1 P12 P21

    Elevated planes Views including shade trees; Shade shadow

    BUILDING LANDSCAPE

    • Design to support visual connec on that can be experienced for at least 5- 20 minutes a day

    • Priori zing real nature over simulated

    • Orien ng building; openings, fenestra ons op mizing visual access to indoor & outdoor vistas, open interac ve spaces.

    • Where high ceilings present, building to be elevated 12

  4. SCOPE & RECCOMENDATIONS

Figure 6 Case Study- Analysis

Experiential approach is also a method to test Biophilic

Biophilia has a great potential to be explored in Architectural context. The framework proposed has evolved a systematic procedure for conversion to practical recommendations, but lacks the detailed analysis and application of the framework during a design process.

It is crucial for the policy makers, planners and designers to adopt the proposal and modify it according to their respective domains, testing its applicability and generating a modified framework taking it a step closer to practical application.

Hypothesis. But it requires a high level of case studies, related to different domains of Architectural spaces.

REFERENCE

  1. Bloomer, K. (2008). The Problem of Viewing Nature Through Glass. In Kellert, S.F., J.H. eerwagen, & M.L. Mador (Eds.). Biophilic Design (253-262). Hoboken, NJ: John Wiley & Sons.

  2. Browning, W.D., Ryan, C.O., Clancy, J.O. (2014). 14 Patterns of Biophilic Design. New York: Terrapin Bright Green, LLC.

  3. Kellert, S.F. & B. Finnegan (2011). Biophilic Design: the Architecture of Life (Film). Bullfrog Films.

  4. Stephen robert Kellert, Dimensions, elements, and attributes of biophilic design, Yale University, Retrieved on: 12 August 2016

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